“The book is a beautifully broken window with an obstructed view of what is killing us, and something is definitely killing us.”
First-time novelist Erika Swyler attracts her reader with dark tales about an 18th-century travelling circus that parallels a tension-filled, modern-day narrative in The Book of Speculation. The altering story lines—one from the past and one from the present—are intricately bound together like the pages of the two-hundred-year-old book bestowed upon librarian Simon Watson. An elderly, unknown bookseller sends Simon a hand-written book since he thinks it may shed light on Simon’s family history.
Peabody’s Portable Magic and Miracles is water-damaged and therefore only offers fractures answers to a family’s cursed past. In it, Simon recognizes familiar tales, historical patterns, and parallel lives. It also alerts him to his alienated sister’s impending death. To break the book’s spell, and to save his sister, Simon must first unravel the family saga of his people. A saga that started in Peabody’s menagerie—involving an ancient Russian seer, a mute wild boy, and an ethereal mermaid—over two centuries ago.
Swyler will pull in readers who value plot and twists over character development. This novel, which hits American and Canadian bookstores next week, has hints of The Thirteenth Tale (Diane Setterfield) and The Museum of Extraordinary Things (Alice Hoffman). Still, The Book of Speculation lacks the detailed, believable characterization that made me fall in love with those two books. Best save Swyler’s book for a lazy, rainy day when you want to escape into a fun story without being consumed by it.
*Thanks to the publisher for sending me a galley of this novel in exchange for an honest review.*